How to paint Harley Quinn using Photoshop - howardhise1964

How to paint Harley Quinn victimisation Photoshop

(Image credit: Joshua Swaby)

For this workshop, Marvel and Direct current creative person Book of Joshua Swaby is painting Harley Quinn. "She's fun to draw, because you can do much with her," says the creative person. "She's a witty and vibrant anti-Cuban sandwich – even though she's a psycho!" For this cover Swaby wish combine those traits, and add her unequaled strong-armer mode.

Rising star Swaby is becoming one of Marvel's hottest new artists, and he shares his process under. But if you want to learn some Marvel art and vocation advice from one of the industry's legends then check our Adi Granov's 10 Marvel comic artwork tips. Swaby will reveal his work flow for digital house painting a specific character, you need to watch some broader skills hear uncomparable of our superior Photoshop tutorials.

When Swaby creates digital art for comic covers, He keeps things fairly simple: outline, line, flats and colour. Atomic number 2 always begins away determination references that support the thought he has in mind, and to help achieve the conception. He then goes happening to draft thumbnails of the concepts, nerve-racking to gaining control the tactile sensation and mood he wants to prosecute in the final piece.

Get 40% off an ImagineFX subscription!

Swaby keeps his line-turn coarse, but intimately-distinct. He achieves this by using a brush that has a traditional feel of a pencil or charcoal. Then for the greys, he uses mid- to dark tones to help flat individual areas and avoid unwanted muscae volitantes to help allay into my colouring phase. For colouring, he uses hard and soft brushes to help oneself render indisputable areas and textures in the skin and fabrics.

The artist uses this process for many of his covers, creating professional artistic creation for just about of the world's leading comic publishers. Follow his detailed stepwise work flow…

01. Start with reference

Before I starting line a project or a lottery, reference is an important part in figuring out what I want to do. For this Harley Quinn piece, I want this cover to cost very punk, selfsame faddy and fun. I ask an awing model, StitchedSpade, to help with the poses that I'm looking for. This, in plow, helps me when figuring out the ideas for my thumbnails. Reputable reference is valuable.

02. Sketch the thumbnails

After studying the reference photos, I start drawing thumbnails. The references of the model are stabilizing in bringing out my ideas for my take on Harley Quinn. Across my three thumbnails I want to institute out the energy of Harley's punk-ish, carefree character. Note that thumbnails should be loose and be free of detail. I'll combine ideas from these to form the final penning.

03. Create the final sketch

Once one of the thumbnails is approved I produce the final sketch that will assistant Pine Tree State with my logical argument-art, using a default on Photoshop brush ordered to red. I never get out with black: I need my final sketch to embody a lighter colour because I'll atomic number 4 laying down my lines on top of it.

04. Work up the line-artistic production

Next, I reduce the Opacity to 50 per cent and get work along my line-graphics level that's on spinning top of the final sketch layer. My line-art is crucial to my nontextual matter vogue and treat. It's present in my final stages of my work because my line work is loose, one of these days refined. The main brush that I use in all of my art is from Ilya Kuvshinov's brush sic. It's called Forme echantillonne, and has an amazing traditional feel, much like using pencil or charcoal in real life.

05. Add a grey tone

Erst I'm satisfied with the line-art, I create a layer underneath it for my greys. Here I use a nonpayment clash and the Rope tool to colourize the figure. The grey is my base tone before I start out flatting individual areas, to play up whatsoever gaps, contrast with the background layer, and helps me restrain in mind the depth of the character. It'll also assist with my incoming step, when I'll create a clipping mask over the greys to start flatting the persona without having to clean the outer areas of the pedigree-art.

06. Paint the vapid colours

Now that I've finished with the greys, I give the axe start flatting – painting even tones and hues inside the lines of the artistry to put back the semblance. Before you start flatting, create a clipping mask over the grey layer victimisation Alt+Ctrl+G. IT's a helpful trick to colour all over a layer that's locked, and enables me to paint freely and non have to worry about expiration complete the lines. Work overbold, not harder!

07. Interpret Harley's face

Before interlingual rendition the face I set heavenward a layer known as skin over my flats that's been clipped to my grey layer. Then I mask it by selecting the skin area (Layers>Mask tool) from the Quick Survival tool. Once masked, I now can generate using a brush also from llya named Hard Elliptical 70 1 Anatomy, and this tool is super-useful because of its Pen Pressure setting.

08. Paint the different fabrics

I repeat the earlier step when rendering Harley's wearing apparel. I superior areas of her fit out and masquerade party the layer earlier painting. I utilisation the same sweep that I put-upon for my line-art, because I desire the pick to have a traditional flavour. The light touch is also ideal for depicting leather and latex paint.

09. Apply highlights using Color Scheme

I kick the bucket plump for and exercise the same Forme brush to let on the highlights. I use lighter greys and whites, add Pen Pressure to the brush and reduce the Opacity to 60-80 per cent. I change the brush mode to Color Dodge to supporte intensify the highlights. I recommend playacting more or less with the encounter's manner during this stage.

10. Add comprise to the theatrical role

Painting make-up is my favourite split, because I love looking at at avant-garde, high fashion makeup styles. I always render to bring that into my own work. For this stage I produce a new layer and use a soft Airbrush tool (the NISS Airbush by IIya Kuvshinov) that produces a bolshie, grungy bet that Harley has in the films. Then I lower the Opacity to 53 per cent, which reduces the intensity of the colour so that it doesn't seem like she's bleeding. Then I sum up another layer on summit and paint in light green highlights to complement the beardown reds.

11. Paint background detail

The image needs something spare, so I add a brick wall up the background, which helps to emphasise Harley's gritty and rough surroundings. I set the layer of bricks to Multiply, to make it feel translucent with the strong red of the background. I and so add more texture to the background exploitation a splatter joyride from IIya. I also want to lighting Harley with a heart-formed spotlight. I use the Airbrush joyride set to navy on an Overlayer layer to make some purple mid-tones. For Harley's cast tincture I simply duplicate the grey stratum from earlier.

12. Detail the scene

I go forward to render Sir Thomas More of Harley's features, by adding much whiske, more blush into her cheeks and as wel rendition the triggerman that's resting against her leg. This stage is primarily most building upward the tack and fashioning information technology feel more solid. During this stage I as wel brighten some of the reds in Harley's jacket.

13. Adjust the colours

Once I'm through with with my rendering and cause refined certain details, the fun begins. The Curve tool is ideal for portion to make certain colors look right or for capturing the mood you're going for in your work. I want to emphasise the reds in the piece, so I move the wavelengths, and then add another Twist tool to further play with the wavelengths using blues and more reds. Past I frown the Opacity and Fill to 34 per cent. This poin is about personal druthers and finding unstylish what's healthy enough – and what's a little too much.

14. Cause the final edits

To finish, I suchlike to add a shade of another colour to bring my colors together. I use a weapons-grade aquamarine and set that layer on Saturation mode. Be careful, because the colour can become a little overly vivacious: you reasonable want enough to bring out few elements in the textures. Set the Opacity to 60 per cent and Take to 45 per cent.

Never miss an issue of ImagineFX

If you likable this piece, you'll love ImagineFX. The world's favored digital art clip is on sale in the UK, EC, US Government, Canada, Commonwealth of Australi and more. Limited numbers of ImagineFX impress editions are available for delivery to over 120 countries from our online memory boar (the shipping costs are included in all prices).

Read more:

How to flip a stratum in Photoshop
Use Photoshop on your iPhone
The best laptops for Photoshop

New York-settled Joshua is a freelance laughable artist and illustrator whose clients include Marvel, Direct current Comics, Entertainment Weekly and Wonder Studios. Helium is the artist behind the surprising variance encompass for DC's unprecedented Admiration Woman, and current queen of Themyscira, Nubia.

Enate articles

Source: https://www.creativebloq.com/how-to/paint-harley-quinn

Posted by: howardhise1964.blogspot.com